Lauren Dutch is a multi-disciplinary designer and visual communicator based in London.

Selected Works / Motion Graphics / Branding & Identity / Editorial & Print / Art Direction


SELECTED WORKS
Motion Graphics
Individual
2024-25

LEON Social Content

Motion Graphics
Individual
2024-25

LEON Email Content

Publication Pitch
Team
2021

The Valuable 500

Branding & Identity
Individual
2022

Wenzel’s Flavour Nation Campaign

Editorial/Book
Individual
2019

The Anomalies

Branding & Identity
Individual
2021

HNE.

Publication Pitch
Individual
2019

KBE Drinks


MOTION GRAPHICS
Motion Graphics
Individual
2024

LEON Social Content

Hero Video
Team
2022

Wenzel’s Temple of Dough

Hero Video
Team
2022

Indigo Volunteers

Social Media
Individual
2021

Romilly Wilde

Motion Graphics
Individual
2020

Do You Accept This Privacy Violation?

Motion Graphics
Individual
2020

Concerning Contraception


BRANDING & IDENTITY
OOH Campaign
Individual
2025

LEON OOH

Branding & Identity
Individual
2022

Wenzel’s Flavour Nation Campaign

Logo Identity
Individual
2022

Creative Marketing Council

Brand Identity
Individual
2021

HNE.


EDITORIAL & PRINT
POS
Individual
2025

LEON In-Restaurant POS

Publication Pitch
Team
2021

The Valuable 500

Publication Pitch
Individual
2021

KBE Drinks

Editorial/Book
Individual
2020

The Anomalies

Editorial/Newspaper
Individual
2019

The Death of Privacy

Editorial/Print
Individual
2019 →

Selected Publications


ART DIRECTION
Art Direction
Team
2021

Wenzel’s Minis

Arduino/Processing
Individual
2020

The Void of Data

Art Direction
Individual
2020

Manifesto For A Surveilled State

Installation
Individual
2019

Walk A Mile In My Shoes


OPEN TO WORK *

laurendutch@hotmail.com

︎ ︎ ︎
Mark


The Valuable 500


Editorial magazine created to pitch the tree and its ideas to The Valuable 500.

2022

Objectives

The Tree had the opportunity to pitch global business collective, The Valuable 500, for their social strategy and execution. They wanted a printed document that communicated why The Tree were the right agency for the job, and the vision they had for The Valuable 500.   

Key Considerations

The Tree wanted V500 to feel at home with, so we thought using their existing brand guidelines to inform the pitch document was vital. Each page had a lot of information to communicate, so I wanted to go in with a key design system of font sizes and grids to follow as I built the publication.

Design Execution

When designing the information provided to me, I made sure to focus on the journey we wanted to take V500. This meant keeping to a clear hierarchy, with bold titles that worked their brand colours and fonts in the right way. I wanted each segment to have it’s own style, so designed bold and distinctive section pages to break things up. Infographics were an important part of this brief, as there was a lot of social statistics that needed to be presented in a digestible way. I aimed to keep things creatively simple on these pages, giving graphics plenty of room to breathe.



Mark