Lauren Dutch is a multi-disciplinary designer and visual communicator based in London.

Index / Motion Graphics / Branding & Identity / Editorial & Print / Art Direction


SELECTED WORKS
Publication Pitch
Team
2021

The Valuable 500

Branding & Identity
Individual
2022

Wenzel’s Flavour Nation Campaign

Editorial/Book
Individual
2019

The Anomalies

Motion Graphics
Individual
2020

Do You Accept This Privacy Violation?

Branding & Identity
Individual
2021

HNE.

Publication Pitch
Individual
2019

KBE Drinks

Art Direction
Individual
2021

Manifesto For A Surveilled State


MOTION GRAPHICS
Hero Video
Team
2022

Wenzel’s Temple of Dough

Hero Video
Team
2022

Indigo Volunteers

Social Media
Individual
2021

Romilly Wilde

Installation
Individual
2020

Stone-Faced Stalkers

Motion Graphics
Individual
2020

Now Showing: Your Search History

Motion Graphics
Individual
2020

Do You Accept This Privacy Violation?

Motion Graphics
Individual
2020

Concerning Contraception


BRANDING & IDENTITY
Branding & Identity
Individual
2022

Wenzel’s Flavour Nation Campaign

Logo Identity
Individual
2022

Creative Marketing Council

Brand Identity
Individual
2021

HNE.

Brand Identity
Individual
2020

Greek Grill Cafe


EDITORIAL & PRINT
Publication Pitch
Team
2021

The Valuable 500

Publication Pitch
Individual
2021

KBE Drinks

Editorial/Book
Individual
2020

The Anomalies

Editorial/Newspaper
Individual
2019

The Death of Privacy

Editorial/Print
Individual
2019 →

Selected Publications


ART DIRECTION
Art Direction
Team
2021

Wenzel’s

Arduino/Processing
Individual
2020

The Void of Data

Art Direction
Individual
2020

Manifesto For A Surveilled State

Installation
Individual
2019

Walk A Mile In My Shoes


OPEN TO WORK *

design@laurendutch.com

︎ ︎ ︎
Mark


The Valuable 500


Editorial magazine created to pitch the tree and its ideas to The Valuable 500.

2022
We had the opportunity to pitch global business collective, The Valuable 500, who aim to innovate business togetherfor disability inclusion. We decided to lay this out in the form of an editorial magazine that used the V500’s beautiful selection of photography to celebrate disability, and shout about why its inclusion in the workplace is a topical issue that needs addressing now. 

I was provided with the copy and data to put into this editorial style - The Valuable 500’s brand guidelines were provided, so I just worked to stretch them to their fullest potential, using their two main fonts to create interesting typographic headings, and keeping the layouts very minimal, and infographic when it came to communicating the data.

Mark