Lauren Dutch is a multi-disciplinary designer and visual communicator based in London.

Selected Works / Motion Graphics / Branding & Identity / Editorial & Print / Art Direction


SELECTED WORKS
Motion Graphics
Individual
2024-25

LEON Social Content

Motion Graphics
Individual
2024-25

LEON Email Content

Publication Pitch
Team
2021

The Valuable 500

Branding & Identity
Individual
2022

Wenzel’s Flavour Nation Campaign

Editorial/Book
Individual
2019

The Anomalies

Branding & Identity
Individual
2021

HNE.

Publication Pitch
Individual
2019

KBE Drinks


MOTION GRAPHICS
Motion Graphics
Individual
2024

LEON Social Content

Hero Video
Team
2022

Wenzel’s Temple of Dough

Hero Video
Team
2022

Indigo Volunteers

Social Media
Individual
2021

Romilly Wilde

Motion Graphics
Individual
2020

Do You Accept This Privacy Violation?

Motion Graphics
Individual
2020

Concerning Contraception


BRANDING & IDENTITY
OOH Campaign
Individual
2025

LEON OOH

Branding & Identity
Individual
2022

Wenzel’s Flavour Nation Campaign

Logo Identity
Individual
2022

Creative Marketing Council

Brand Identity
Individual
2021

HNE.


EDITORIAL & PRINT
POS
Individual
2025

LEON In-Restaurant POS

Publication Pitch
Team
2021

The Valuable 500

Publication Pitch
Individual
2021

KBE Drinks

Editorial/Book
Individual
2020

The Anomalies

Editorial/Newspaper
Individual
2019

The Death of Privacy

Editorial/Print
Individual
2019 →

Selected Publications


ART DIRECTION
Art Direction
Team
2021

Wenzel’s Minis

Arduino/Processing
Individual
2020

The Void of Data

Art Direction
Individual
2020

Manifesto For A Surveilled State

Installation
Individual
2019

Walk A Mile In My Shoes


OPEN TO WORK *

laurendutch@hotmail.com

︎ ︎ ︎
Mark



KBE Drinks


Editorial pitch book made to introduce The Tree and their ideas

2021
The Tree had the opportunity to pitch for well-known drinks brand, KBE Drinks, presenting to them our ideas for their social strategy and how to improve it. We decided to lay this out in the form of a cocktail book menu, using lots of graphic illustrations and photographs of cocktails made using rum, and making witty connotations in the copy to drinks recipes and concoctions.

I was provided with the copy and data to put into this editorial style - the brief included creating a tone of voice similar to Hendrick’s/Kraken Rum, so I ran with it, finding a traditional, woodblock-style font as the primary font, as well as a selection of icons and symbols, e.g. underlines, stars and skulls, to support this and build up the ‘weathered’ style. I experimented incorporating different textures in there, including rough dot and old paper textures, which contributed to the tone of voice, and included KBE’s main brand colours to make them feel integrated with the publication.

 
Mark