Lauren Dutch is a multi-disciplinary designer and visual communicator based in London.

Selected Works / Motion Graphics / Branding & Identity / Editorial & Print / Art Direction


SELECTED WORKS
Motion Graphics
Individual
2024-25

LEON Instagram Content

Motion Graphics
Individual
2024-25

LEON Email Content

Publication Pitch
Team
2021

The Valuable 500

Branding & Identity
Individual
2022

Wenzel’s Flavour Nation Campaign

Editorial/Book
Individual
2019

The Anomalies

Branding & Identity
Individual
2021

HNE.

Publication Pitch
Individual
2019

KBE Drinks


MOTION GRAPHICS
Motion Graphics
Individual
2024

LEON Instagram Content

Hero Video
Team
2022

Wenzel’s Temple of Dough

Hero Video
Team
2022

Indigo Volunteers

Social Media
Individual
2021

Romilly Wilde

Motion Graphics
Individual
2020

Do You Accept This Privacy Violation?

Motion Graphics
Individual
2020

Concerning Contraception


BRANDING & IDENTITY
OOH Campaign
Individual
2025

LEON OOH

Branding & Identity
Individual
2022

Wenzel’s Flavour Nation Campaign

Logo Identity
Individual
2022

Creative Marketing Council

Brand Identity
Individual
2021

HNE.


EDITORIAL & PRINT
POS
Individual
2025

LEON In-Restaurant POS

Publication Pitch
Team
2021

The Valuable 500

Publication Pitch
Individual
2021

KBE Drinks

Editorial/Book
Individual
2020

The Anomalies

Editorial/Newspaper
Individual
2019

The Death of Privacy

Editorial/Print
Individual
2019 →

Selected Publications


ART DIRECTION
Art Direction
Team
2021

Wenzel’s

Arduino/Processing
Individual
2020

The Void of Data

Art Direction
Individual
2020

Manifesto For A Surveilled State

Installation
Individual
2019

Walk A Mile In My Shoes


OPEN TO WORK *

laurendutch@hotmail.com

︎ ︎ ︎
Mark



Creative Marketing Council

Branding identity, logo and branding assets

2022
As part of a bid within The Tree to design the new branding identity for Creative Marketing Council, we were asked to come up with a logo concept and branded deliverables.

Using shape as the main principle within this design, I created a monogram for ‘CMC’ out of semi-circles and triangles, and combined this with a shape-like font, PP Neue Machina - I wanted the design for the brand to look raw, calling back to original elements and principles of design that we all learn at design school. I also chose to use a dark blue colour as the main brand colour, as I liked how it popped with white, and also its associations with depth and expertise. I expanded this across business cards, merchandise and advertisements for conferences to demonstrate how the brand would work across different deliverables.

 
Mark