Lauren Dutch is a multi-disciplinary designer and visual communicator based in London.

Index / Motion Graphics / Branding & Identity / Editorial & Print / Art Direction


SELECTED WORKS
Publication Pitch
Team
2021

The Valuable 500

Branding & Identity
Individual
2022

Wenzel’s Flavour Nation Campaign

Editorial/Book
Individual
2019

The Anomalies

Motion Graphics
Individual
2020

Do You Accept This Privacy Violation?

Branding & Identity
Individual
2021

HNE.

Publication Pitch
Individual
2019

KBE Drinks

Art Direction
Individual
2021

Manifesto For A Surveilled State


MOTION GRAPHICS
Hero Video
Team
2022

Indigo Volunteers

Social Media
Individual
2021

Romilly Wilde

Installation
Individual
2020

Stone-Faced Stalkers

Motion Graphics
Individual
2020

Now Showing: Your Search History

Motion Graphics
Individual
2020

Do You Accept This Privacy Violation?

Motion Graphics
Individual
2020

Concerning Contraception


BRANDING & IDENTITY
Branding & Identity
Individual
2022

Wenzel’s Flavour Nation Campaign

Logo Identity
Individual
2022

Creative Marketing Council

Brand Identity
Individual
2021

HNE.

Brand Identity
Individual
2020

Greek Grill Cafe


EDITORIAL & PRINT
Publication Pitch
Team
2021

The Valuable 500

Publication Pitch
Individual
2021

KBE Drinks

Editorial/Book
Individual
2020

The Anomalies

Editorial/Newspaper
Individual
2019

The Death of Privacy

Editorial/Print
Individual
2019 →

Selected Publications


ART DIRECTION
Art Direction
Team
2021

Wenzel’s

Arduino/Processing
Individual
2020

The Void of Data

Art Direction
Individual
2020

Manifesto For A Surveilled State

Installation
Individual
2019

Walk A Mile In My Shoes


OPEN TO WORK *

design@laurendutch.com

︎ ︎ ︎
Mark



Creative Marketing Council

Branding identity, logo and branding assets

2022
As part of a bid within The Tree to design the new branding identity for Creative Marketing Council, we were asked to come up with a logo concept and branded deliverables.

Using shape as the main principle within this design, I created a monogram for ‘CMC’ out of semi-circles and triangles, and combined this with a shape-like font, PP Neue Machina - I wanted the design for the brand to look raw, calling back to original elements and principles of design that we all learn at design school. I also chose to use a dark blue colour as the main brand colour, as I liked how it popped with white, and also its associations with depth and expertise. I expanded this across business cards, merchandise and advertisements for conferences to demonstrate how the brand would work across different deliverables.

 
Mark